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Bibliography of texts relating to bows Catalogue des Ancients Instruments de Musique (Paris, 1910) First National Competition and Exhibition for Violin & Bow Makers (New York: The American Federation of Violin and Bow Makers, 1985) ‘In Memoriam: Amaryllis Fleming’, The Musical Times, 140 (Autumn 1999), 7–8 Mostra Di Liuteria Contemporanea (Cremona: Editrice Turris, 1989) ‘Musical Instruments Including Early Music’, Sotheby's Catalogue, Auction 7th November 2006, (London, 2006) 88–9 ‘Symposium: Bow Hairs and String’, The Journal of the Violin Society of America, 3/4 (1977), 131–end ‘Symposium: Bow Repair and Maintenance’, The Journal of the Violin Society of America, 3/4 (1977), 105–30 ‘Symposium: Bowmakers Forum’, The Journal of the Violin Society of America, 10/2 (1989), 133–49 ‘Tourte Francois Xavier’, Die Geigen- Und Lautenmacher Vom Mittelalter Bis Zur Gegenwart / Nach Den Besten Quellen Bearb. Von Willibald Leo Frh. V. Lütgendorff, ed. Thomas Drescher (Tutzing: Schneider, 1990) 629–30 ‘Tubbs James’, Die Geigen- Und Lautenmacher Vom Mittelalter Bis Zur Gegenwart / Nach Den Besten Quellen Bearb. Von Willibald Leo Frh. V. Lütgendorff, ed. Thomas Drescher (Tutzing: Schneider, 1990) 629–30 Anders Askenfelt, ‘Measurement of Bow Motion and Bow Force in Violin Playing’, The Journal of the Acoustical Society of America, 80/4 (1986) 1007–15 Anders Askenfelt, ‘Measurement of the Bowing Parameters in Violin Playing’, The Journal of the Acoustical Society of America, 84/1 (1988), 163 Anders Askenfelt, ‘Measurement of the Bowing Parameters in Violin Playing. Ii: Bow-Bridge Distance, Dynamic Range, and Limits of Bow Force’, The Journal of the Acoustical Society of America, 86/2 (1989), 503–16 Anders Askenfelt, ‘Observations on the Dynamic Properties of Violin Bows’, Speech Transmission Laboratory KTH Stockholm, 4 (1992), 43–8 Anders Askenfelt and Knut Guettler, ‘Quality Aspects of Violin Bows’, The Journal of the Acoustical Society of America, 105/2 (1999), 1216 Otto Bachmann, Theoretisch-Pracktishes Handbuch Des Geigenbaues (Quedlinburg & Leipzig: G. Basse, 1835) Werner Bachmann, The Origins of Bowing and the Development of Bowed Instruments up the Thirteenth Century, translated by Norma Deane (London: Oxford University Press, 1969) Henry Balfour, The Natural History of the Musical Bow. A Chapter in the Developmental History of Stringed Instruments of Music. Primitive Types (Oxford: Clarendon Press, 1899; reprint, Portland: Longwood Press 1976) Michael A Baumgartner and Paul Childs, ‘Tourte Francois Xavier’, Die Musik in Geschichte Und Gegenwart: Allgemeine Enzyklopädie der Musik. Vol. 1- , Personenteil, ed. Ludwig Finscher (Kassel & London: Bärenreiter, 2006) Charles Beare and Philip J Kass, ‘Tubbs Family’, In The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie and John Tyrrell (London: Macmillan, 2006) Charles Besnainou, ‘Composite Materials for Musical Instruments: The Maturity’, The Journal of the Acoustical Society of America, 103/5 (1998), 2872–3 G Bissinger, ‘Bounce Test, Modal Analysis, and the Playing Qualities of the Violin Bow’, Catgut Acoustic Society Journal, 2/8 (1995), 17–22 John Alfred Bolander, Bow Making: 1000 Bows and a Tribute. (Maywood, CA: Vitali Import Co., 1962) John Alfred Bolander, Violin Bow Making (San Jose, CA, 1969; reprint, 2nd ed. San Mateo: Boyd Pulsen, 1981) Sidney Bowden, Pajeot. Bow Makers of the 18th and 19th Centuries (London: Ealing Strings, 1991) David D Boyden, ‘The Violin Bow in the 18th Century’, Early Music, 8/2 (1980) 199–212 David D Boyden and J Livoya-Lorius, ‘Bow’, Grove Music Online, ed. L Macy (accessed 15th May 2007), http://www.grovemusic.com Edward Campbell, ‘A Method of Judging the Playability of Bows in Competitions’, The Journal of the Violin Society of America, 5/4 (1979), 111–4 Eric Chapman, ‘Exhibition of Violas and Their Bows’, [4th International Exhibition of Vsa], The Journal of the Violin Society of America, 5/1 (1978) 98–101 E Charron, Théorie De L'archet (Gauthier-Villars, 1916) Paul Childs, ‘Tourte Francois Xavier’, The New Grove Dictionary of Music and Musicians, 2nd edition, ed. Stanley Sadie and John Tyrrell, (London: Macmillan, 2006) Dedee Claessens, ‘Treble Viol Bows and a Filing Suggestion’, Early Music, 4/2 (1976), 235 Julian H Clark, ‘Bows: a Maker’s Response’, Early Music, 8/4 (1980), 503–5 Julian H Clark, ‘The Developing Violin Bow’, Early Music, 8/2 (1980), 226–8 Philip Cogan de, The Violin Bow to Construct and Graduate (Providence, 1893) L Cremer and H Lazarus ‘Der Einflusz Des Bogendruckes beim anstreichen einer Saite’, Proceedings ICA (Tokyo, 1968) Pat Bryan Curry, The François Tourte Bow (Brigham Young University: 1968) Robert Donington, ‘On Interpreting Early Music’, Music and Letters, XXVIII/3 (1947), 223–41 Barbara Downs and Antares Parvulescu ‘On the Measurement of Timbre Dependence Upon Bowing Technique’, The Journal of the Acoustical Society of America, 64/1 (1978), 171 Hans Heinz Drager, Die Entwicklung des Streichbogens und seine anwendung in Europa bis zum Violenbogen des 16. Jahrhunderts (Berlin & Kassel: Barenreiter, 1937) Julian Drake, ‘Marais’ Bow Strokes’, Early Music, 7/3 (1979), 433 Michael Duff, ‘The Berg Bow’, The Journal of the Violin Society of America, 10/3 (1990) 72–98 Daniel Dunlap, ‘Adjustable Bow Guide’, The Journal of the Acoustical Society of America, 65/5 (1979), 1359 François-Joseph Fétis, A. Stradivari, Luthier célèbre, connu sous le nom de Stradivarius. Précédé de recherches historiques et critiques sur l’origine et les transformations des instruments à archet et suivi d’analyses théoriques sur l’archet et sur F. Tourte, auteur de ses derniers perfectionnements (Paris, 1856) Albert Fischer, ‘Salvaging a Good Bow from the Scrap Pile’, The Journal of the Violin Society of America, 8/2 (1987) 133–8 Harry Fleisher, ‘Evaluation of the Playing Qualities of Bows: A Proposal’, The Journal of the Violin Society of America, 5/4 (1979, 107–10 Harry Fleisher, ‘The Why of the Bow’, The Journal of the Violin Society of America, 5/2 (1979), 61–74 Amaryllis Fleming and Harold Dexter’, The Way to Play the Cello (Ilford: International Music Publications, c.1993) Fergus Fleming, Amaryllis Fleming (London: Methuen, 1994) James M Fleming, Old Violins and Their Makers: Including some references to those of modern times (London: L Upcott Gill, 1883; reprinted 1890,1897, 1898 & 1900) Florence Gétreau, ed. Instruments et luthiers Parisiens xviie-xixe siecles (Paris: Delegation a l'Action Artisitique de la Ville de Paris, 1988) John Friedrich & Bro. Inc., Fine Old Bows (New York, August 1922) John Friedrich & Bro. Inc., Illustrated Catalogue of Rare Old Violins, Violas and Violoncellos, Bows, Cases, Strings, Etc. (New York, 1923) John Friedrich & Bro. Inc, Rare Old Master Violin Bows [with Prices] (New York, no date) Reginaldo Galeazzi, ‘Spiegazioni utili al violinista Italiano, ([s.l.]. [s.n.]: [c.1904])’ Charles Gerrish, The Story Behind the World's Finest Bows ([s.l.]. [s.n.]: [n.d.])’ Pamela Goldsmith, ‘The Transition to the Tourte Bow and Its Effect on Bowing Articulation’, The Journal of the Violin Society of America, 9/1 (1988), 63–82 Laurent Grillet, Les Ancetres Du Violon Et Du Violoncelle (Paris: Charles Schmid, 1901) Knut Guettler, ‘Some Aspects of Bow Resonances: Conditions for Spectral Influence on the Bowed String’, The Journal of the Acoustical Society of America, 97/5 (1995), 3269 Eric Halfpenny, ‘An Unusual English 18th-Century Violin Bow’, The Galpin Society Journal, 29 (1976), 128–9 Frank V Henderson How to Make a Violin Bow (Seattle: Murray, 1977) Edward Heron-Allen, Violin Making as It Was and Is; Being a Historical, Theoretical, and Practical Treatise on the Science and Art of Violin-Making, for the Use of Violin Makers and Players, Amateur and Professional by Ed. Heron-Allen, Author Of "The Ancestry of the Violin", "A History of a Great Violin Case", "The Romance of a Stradivari", Etc., Etc., with Upwards of 200 Illustrations by the Author....Preceded by an Essay on the Violin and Its Position as a Musical Instrument. (London: Ward, Lock & Co., 1884); reprints 1885, 1886, 1898, 1947, 1960, 1976, 1977, 1978, 1982 Andrew Hill, ‘The Hill ‘Tradition’, The Journal of the Violin Society of America, 4/3 (1978) 266–88. W E Hill & Sons, Bows and Accessories for Violin, Viola and Violoncellos by W.E. Hill & Sons (Dealers Catologue: London, 1940) W E Hill & Sons, Hill & Son Violin, Viola and Violoncello Bows (Dealer Catalogues: London, c.1911) W E Hill & Sons, Violin, Viola and Violoncello Bows (Dealer Catalogues: London, c.1910) Tracy K Ho, ‘Method and Apparatus for Teaching the Production of Tone in the Bowing of a Stringed Instrument’, The Journal of the Acoustical Society of America, 91/1 (1992), 547 John H Hogue, ‘Tuning the Wood of a Musical Instrument Bow’, The Journal of the Acoustical Society of America, 90/6 (1991), 3392 John Hsu, ‘The Use of the Bow in French Solo Viol Playing of the 17th and 18th Centuries’, Early Music, 6/4 (1978), 526 John Hsu, ‘Marais’ Bow Strokes’, Early Music, 7/3 (1979), 433 Jan James, ‘Bow Hairs and String’, The Journal of the Violin Society of America, 3/4 (1977) 131–50 Jan James, W L Jongebloed, Molenaar, ‘The Role of Hair Structure in Sound Production of Bowed Instruments’, The Journal of the Violin Society of America, 3/1 (1977), 5–12 Robert H Johns, ‘Practice Violin and Bow’, The Journal of the Acoustical Society of America, 65/5 (1979), 1359 Philip Kass, ‘Nineteenth-Century English Bowmakers of the Dodd and Tubbs Families’, The Journal of the Violin Society of America, 10/3 (1990), 99–139 Henryk Kaston, Stewart Pollens and M E D Laing, François X. Tourte, a Bowmaker (New York, 2001) Joseph Kun and Joseph Regh, The Art of Bow Making (Wappingers Falls, N.Y: Regh-Kuhn, c.1994) Claude Lebet, Les Luthiers Neuchatelois (Neuchatel: Revue Neuchateloise, 1979) Anatoliî Ivanovich Leman, The Violin and Bow (Moscow, 1885) L Livoya-Lorius, ‘James Tubbs’, The Strad, XC (1979–1980), 676–7 Giovanni Lucchi, L'arco (Cremona: G. Lucchi, c.1990) Lauro Malusi, L'arco Degli Strumenti Musicali (Padova, 1878) J P McKinney, How to Rehair Bows (Santa Fe, 1978) Metropolitan Music, Co. Professional Hints on Repair; String Instrument Repair Kit; Hints on Repair (New York, c.1982); reprint, Stowe, Vermont no date Bernard Millant, ‘The Great Bow Makers of France’, The Journal of the Violin Society of America, 6/2 (1980) 179–89 Bernard Millant, ‘The Bow from Earliest Times to Sartory’, The Journal of the Violin Society of America, 10/2 (1989), 3–48 Roger Millant and Max Millant, Manuel Pratique De Lutherie (Paris: Larousse (Encyclopédie Roret), 1952) John Milnes, ed., The British Violin: The Catalogue of the 1998 Exhibition, 400 Years of Violin and Bow Making in the British Isles (Oxford: British Violin Making Association, 2001) Max Moller, Some Notes on the Re-Hairing of Bows : A Demonstration / by Ernst Lohberg (Lincolnwood, Illinois: Lewis, c.1960) Sonya Monosoff, ‘Viva the ‘Early’ Violin’, The Journal of the Violin Society of America, 3/1 (1977), 17–21 Sonya Monosoff et al, ‘Symposium: The Baroque Bow Past and Present’, The Journal of the Violin Society of America, 3/4 (1977), 35–86 Frances Morris, Catalogue of the Crosby Brown Collection of Musical Instruments of All Nations: Oceanica [Sic] and America, vol 2 (New York: The Metropolitan Museum of Art, 1914) William Meredith Morris, British Violin Makers : A Biographical Dictionary of British Makers of Stringed Instruments and Bows and a Critical Description of Their Work (Bridgwater: S A Kellow, 1981) J Mozen and V Men, Skripka, Alt, Violoncel, Kontrabas I Ghitara, Smycki, Kanifol I Struny [Violin, Viola, Violoncello, Doublebass and Guitar, Bows, Rosin and Strings] (Moscow, 1899) Arnold Myers, ‘Cataloguing Standards for Instrument Collections’, CIMCIM Newsletter, XIV (1989), 14–28 Jacob Augustus Otto, Ueber Den Bau Und Die Erhaltung Der Geige Und Aller Bogeninstrumente (Halle & Leipzig, 1817); reprint, London: Longmans & Cross, 1833 Frank Passa, ‘Bow Rehairing’, The Journal of the Violin Society of America, 7/3 (1985), 39–52 Donald Peart, ‘Dering or Ward?’, Music and Letters, XXXIII/1 (1952), 98 Drora Pershing, ‘The Bach-Bow Controversy’, The Journal of the Violin Society of America, 3/2 (1977), 72–81 Norman Pickering, ‘A Study of Bow Hair and Rosin’, The Journal of the Violin Society of America, 7/1 (1984), 46–72 Norman Pickering, ‘Physical Characteristics of Violin Bows’, The Journal of the Violin Society of America, 8/2 (1987), 41–58 Norman C Pickering, ‘A Study of Bow Hair and Rosin’, Journal of Violin Society of America 7, no. 1 (1984): 46-72. Norman C Pickering, ‘Physical Characterisctics of Violin Bows’, Journal of Violin Society of America, 8 (1987), 41–58 Roland Pitteroff, ‘Modelling of Bowed String Taking into Account the Width of the B’, Preceedings Smac 93, ed. A Friberg, J Ewarsson, E Jansson and J Sundberg (Stockholm: Royal Swedish Academy of Music, 1994) Roland Pitteroff and James Woodhouse, ‘Effects of Bow-Hair Compliance on Bowed-String Motion’, The Journal of the Acoustical Society of America, 97/ 5 (1995):], 3269 Roland Pitteroff and James Woodhouse, ‘Mechanics of The Contact Area between Bow and String, Part I: Reflection and Transmission Behaviour’, Acustica, 84 (1998), 543–62 Tully Potter, ‘Living to the Full’, The Strad (1999), 1301–5 Isaac B Poznanski, The Violin Bow. A Treatise... Suplemented by Various Examples and Original Studies (London: St. Cecelia Music Publishing Co, 1894) William C Redford, Bows and Bow-Makers (London: The Strad, 1964) Roberto Regazzi, The Complete Luthier's Library (Bologna: Florenus Edizioni, 1990) Joseph Regh, Computer-Supported Judging of Instruments and Bows’, The Journal of the Violin Society of America, 7/4 (1986), 74–87 Mark Reindorf, ‘The Current Status of French Bow Making: A Crisis Averted, a Future Assured’, The Journal of the Violin Society of America, 7/1 (1984), 89–128 Mark Reindorf, ‘A Discussion of the Metal Thumb Plate of the Bow’, The Journal of the Violin Society of America, 7/ 4 (1986), 147–56 Mark Reindorf, ‘Bow Making in the United States’, The Journal of the Violin Society of America, 8/2 (1987), 117–32 William C Retford, Bows and Bow Makers (London: The Strad, 1964) William C Retford, Bows and Bow Makers (Borough Green : Novello, 1984) Bernard Ricca and Gabriel Weinreich, ‘Measurements of the Impedance Presented to the String by a Bow’, The Journal of the Acoustical Society of America, 89/4B (1991), 1877–8 Joseph Roda, Bows for Musical Instruments of the Violin Family (Chicago: William Lewis & Son, 1959) K W Rokos and P S Spicer String Teahcing on a Shoestring and Re-Hairing and Repairing Bows for Stringed Instruments (London: Bosworth, 1972) Malcolm Sadler, ed., The Caprice Bows (London: Ealing Strings, 1985) Henry Saint-George, The Bow, Its History, Manufacture and Use (London, 1896) William Salchow, ‘How to Make a Violin Bow by Henderson’, The Journal of the Violin Society of America, 3/3 (1977), 113–7 William Salchow, ‘International Meeting of Violin and Bow Makers’, The Journal of the Violin Society of America, 3/ 2 (1977), 108–9 William Salchow, ‘Violin Bow Making by Bolander’, The Journal of the Violin Society of America, 3/ 3 (1977), 113–7 William Salchow, How to Choose a Violin Bow (New York, 1980) William Salchow et al, ‘Bow Restoration’, The Journal of the Violin Society of America, 6/4 (1983), 135–50 William Salchow et al, ‘Symposium: National School and Styles 87 of Bow Making’, The Journal of the Violin Society of America, 3/4 (1977), 87–104 William Salchow et al, ‘Symposium: The Performer and the Bow’, The Journal of the Violin Society of America, 3/ 4 (1977):,11–34 Helmut F K Schaller, ‘Injection Moulded Stick for Stringed Musical Instrument Bow’, The Journal of the Acoustical Society of America, 65/ 5 (1979), 1360 Scherl & Roth, How to Rehair a Bow with the Use of a Roth Bow Rehairing Device (Cleveland: Scherl & Roth Inc., no date) Florian Schmid, Der Bogen Fur Streichinstrumente (1987) Rodney Schmidt, ‘Contours, Images, and the Bow’, The Journal of the Violin Society of America, 7/ 4 (1986), 102–13 Robert T Schumacher, ‘Some Aspects of the Bow’, Catgut Acoustic Society Newsletter, 24 (1975), 5–8 Robert T Schumacher, ‘Dynamics of the Bowed String’, The Journal of the Acoustical Society of America, 78/ 1 (1985),34 Robert T Schumacher, ‘The Influence of the Bow on Aperiodicity of Violin Notes’, The Journal of the Acoustical Society of America, 89/4B (1991), 1926 Robert T Schumacher, ‘Measurements of Some Parameters of Bowing’, The Journal of the Acoustical Society of America, 96/ 4 (1994), 1985–8 Robert T Schumacher, ‘Bow Response to the String it is Bowing’, The Journal of the Acoustical Society of America, 114/ 4 (2003), 2437 Albert Schweitzer and Margaret Deneke, ‘A New Bow for Unaccompanied Violin Music’, The Musical Times, 74/1087 (1933), 792–5 G R Seaman, ‘Fleming, Amaryllis Marie-Louise (1925?–1999)’, Oxford Dictionary of National Biography, (Oxford: University Press, 2004), http://www.oxforddnb.com (accessed 22 April 2007) Robert E Seletsky, ‘New Light on the Old Bow’, Early Music, 32/2 (2004), 286-301 and 32/3 (2004), 415-426 Robert E Seletsky, ‘Newer Light on the Old Bow’, Early Music, 32/ 4 (2004), 645 Joseph Siegelman, ‘The Unbalanced Bow’, The Journal of the Violin Society of America, 3/1 (1977), 35–6 Frederick Sternfeld, ‘Reviews of Books’, Music and Letters, LV/4 (1974), 491–4 Madeau Stewart, ‘Highlight on Bows’, Early Music, 1/ 1 (1973), 246 Robin Stowell, ‘Violin Bowing in Transition: A Survey of Technique as Related in Instruction Books c.1760–c.1830’, Early Music, 12/ 3 (1984), 317–27 Gary Sturm, ‘Exhibition of Violins and Bows in the Smithsonian Collection’, The Journal of the Violin Society of America, 5/ 2 (1979), 75–102 Emil Telmanyi, ‘The Purpose of the ‘Vega-Bach-Bow’: A Reply to Mr. Denis Stevens and Mr. Sol Babitz’, The Musical Times, 96/1349 (1955), 371–2 James Tubbs & Son, Price List of Our Own Make Bows (London, c.1896) Julien Turgan, Etablissements Thibouville-Lamy Manufacture De Cordes D'harmonie Et D'instruments De Musique a Paris Grenelle, Mirecourt Et La Couture, vol 218, (Les Grandes Usines Études Industrielles En France Et à L’étranger: Paris, 1875) Nicola Utili, L'arco Del Violino (Faenza: Societa Tipografica Faentina, 1942) René Vannes, Dictionnaire Universel Des Luthiers vol.1 (Bruxelles: Les Amis de la Musique, 1975) René Vannes, ‘Tourte, Francois’, Dictionnaire Universel Des Luthiers, vol.1, 367 (Bruxelles: Les Amis de la Musique, 1975) Etienne Vatelot, ‘The Art of the French Bow’, The Journal of the Violin Society of America, 4/3 (1978), 238–53 Antoine Vidal, Les Instruments a Archet (Paris, 1876–8); reprint, London: The Holland Press 1961 Pierre Vidouez, Quelques Considerations Sur L'archet Et Les Archetiers Francais (Geneve: Pezotti, 1958) Harry Sebastian Wake, Violin Bow Rehair and Repair (San Diego, CA: H S Wake, c.1975) Kenneth Warren, ‘The Shirley Miller Bow Collection’, The Journal of the Violin Society of America, 6/ 4 (1983), 102–34 Kenneth Warren & Son, Loan Exhibition of Violin Bows from W. E. Hill & Sons (Chicago, 1955) Kenneth Warren & Son, The Subject of Bows (Chicago, c.1970) William Watson, ‘English Bow Makers’, The Journal of the Violin Society of America, 6/2 (1980), 96–116 Thomas Wenberg, ‘Minnesota Violin and Bow Makers’, The Journal of the Violin Society of America, 10/ 1 (1989), 17–32 Thomas James Wenberg, The Violin Makers of United States: Biographical Documentation of the Violin and Bow Makers Who Have Worked in the United States (Pizzicato Pub. Co., 1986) Gustav Adolph Wettengel, Vollstaendiges, Theoretisch-Praktisches Auf Grundsaze Der Akustik, Tonkunst Und Mathematik (Ilmeanu: B F Voigt, 1828) Gustav Adolph Wettengel, Lehrbuch Der Geigen- Und Bogenmacherkunst (Weimar: B F Voigt, 1869) Michael Woldemar, Grande Methode De Violon (Paris, 1798) W S B Woolhouse, "Note on the Suitable Proportions and Dimensions of a Violin Bow’, The Monthly Musical Record (1875), 99–100 Friedrich Wunderlich, Der Geigenbogen, Seine Geschichte, Herstellung und Behandlung (1936) Friedrich Wunderlich, Der Altintalienische Geigenton und Seine Ursache und das Neubehaaren des Gegenbogens (Markneukirchen, 1949) David Anthony Yeagley, ‘Historical Influence of the String Bow on Musical Notation’, Journal of The American Liszt Society, 19 (June 1986), 122–45 Shinichi Yokoyama, The Classic Bowed Stringed Instruments from the Smithsonian Institution, ed. Mikisaburo Oshio (Tokyo: Gakken Co. Ltd Hiroshi Furuoka, 1986) | ||
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