Introduction | | Using these pages | | History of the Project | | Collections | | Acknowledgments | | | Reading Programmes | | | Benefit to Recital, 1790-1914 | | Introduction | | Wilhelm Cramer, 1786 | | J.N. Hummel, 1830 | | Madame Dulken, 1841 | | C.K. Kiesewetter, 1826 | | Nicolò Paganini, 1832 | | Emil Prudent, 1845 | | Emilie Buonzollazzi, 1854 | | Madame Dulken, 1847 | | Franz Liszt, 1840 | | Charles Hallé, 1865 | | Clara Schumann, 1860 | | Anton Rubinstein, 1867 | | Walter Macfarren, 1866 | | Leopold Godowsky, 1902 | | Harold Bauer, 1910 | | Mischa Elman, 1910 | | Fritz Kreisler, 1909 | | Joseph Joachim, 1906 | | | Promenade to Music Hall | | Introduction | | The Pantheon | | Musard and Juliien | | Henry Wood | | Ballad Concerts I | | Ballad Concerts II | | Music Hall | | | The Symphony | | London, 1791 | | Leipzig, 1787 | | Paris, 1782 | | London, 1826 | | London, 1835 | | Leipzig, 1846 | | Crystal Palace, 1857 | | Hereford, 1862 | | London, 1899 | | Richter Concert, 1886 | | London, 1910 | | | Concert Programmes Project | | | | | | CPH Home Page | | | RCM Home Page | | | | |
| London Richter Concert, 1886 By the turn of the century concerts defined as 'serious' had no such music any more. Here we see a programme done at the Richter Concerts, a series begun in 1876, originally focused each upon classical and contemporary works but by 1910 chiefly upon canonic repertory: Programme 11 Richter Concert, London, 17 May 1886 | | | | | | | Programme from the Centre for Performance History, Royal College of Music |

This programme is typical of what had evolved at such concerts: four works, one of them contemporary and British, opened by an overture and closed by a single long work after the interval. We have come a long way from what we saw being performed in the 1780s. Fig. 5. Hans Richter |